Suspyre: Suspyre-2012.

Suspyre:Proggressive Symphonic Metal from United States.


Instrumental Demo of 2003Demo2003 
Demo of 2004Demo2004 
Promo of 2005Demo2005 
The Silvery ImageFull-length2005
A Great DivideFull-length2007
When Time Fades…Full-length2008


Gregg RossettiGuitars, Saxophone (2001-present)
See also: The Ciem Show, ex-Abysmal Gates, ex-The Nice Marmots
Andrew DistabileBass (2005-2009), Guitars (2009-present)
See also: ex-Forever’s Edge
Clay BartonVocals (2005-present)
See also: Forever’s EdgeStructure of Inhumanity, ex-Human Fuse
April SeseKeyboards (2008-present)
Sam KansaraBass (2009-present)
Gabriel MarshallDrums (2009-present)
See also: ex-Structure of Inhumanity, ex-The Ciem Show

Past Members:

Kirk SchwenklerBass, Flute (2001-2005)
Chris MyersDrums (2001-2004)
Rich SkibinskyGuitars, Keyboards (2001-2009)
See also: ex-Castrofate (live), ex-Kelsey & The Chaos
Kevin O’HaraVocals (2001-2003)
Raffaele GeraceVocals (2003-2005)
Samus PaulicelliDrums (2005-2007)
See also: 66SamusArakhneDecrepit BirthForever’s EdgeReign of Vengeance, Rising Phoenix, ex-Abigail Williams, ex-Eliminator, ex-Mutiny Within, ex-Arsis (live), ex-Goatwhore (live), ex-Abysmal Gates, ex-Dark Empire, ex-Brainscan
Jeff WilletDrums (2007-2008)
See also: ex-Aborted Existence, ex-Black Crown Initiate, ex-Single Bullet Theory, ex-Awakenings, ex-Ellipse
1.Chaser04:45  Show lyrics
2.Tranquility and Stress10:01  Show lyrics
3.The Divided Son04:57  Show lyrics
4.Still Bending the Violet06:15  Show lyrics
5.The Fire Dancer04:27  Show lyrics
6.Cancún03:55  Show lyrics
7.Shades…00:49  instrumental
8.The Cycle05:08  Show lyrics
9.The Whispers Never Written09:16  Show lyrics
10.The Man Made of Stone12:15  Show lyrics

One thought on “Suspyre: Suspyre-2012.

  1. Suspyre
    Suspyre Progressive Metal
    Review by Warthur
    Prog Reviewer

    3 stars Suspyre tickle the senses of prog metal listeners on this self-titled album, on which snatches of a range of different prog metal styles can be caught here and there. There’s some really neat djenty sounds going down, some interesting diversions into Atheist-influence jazz metal, and just when you think that’s already slightly too many different styles to reconcile the band roll out a section reminiscent of classic Dream Theater.
    Indeed, to an extent their very diversity is the problem – the compositions often don’t sound very cohesive and the impression is that they’re trying to pay tribute to all of their influences at once rather than trying to meld everything together into a distinctive signature sound of their very own. (Maybe it’s just me, for example, but I tend to find that the more Dream Theater-inspired sections seem to occur in close proximity to Clay Barton’s vocals.) An interesting listen but they need to work on bringing all these disparates together into a whole that’s greater than the sum of its parts if they want to really get me excited.


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