Valis Ablaze: Boundless-2018.

Valis Ablaze:Proggressive Alternative Metal from United Kingdom.


Founded in Bristol, UK in 2013

This Progressive and alternative band is from Bristol Manchester. The first EP “Insularity” released in January 2017 is showing a band in their new direction that will go even deeper with the released in 2018 of their first full-length album “Boundless”. Not only the sound is refined, but they added in their djent inspired style more progressive twist and better musicianship. VALIS ABLAZE has been a support band for TESSERACT, THE CONTORTIONIST, and DEAD LETTER CIRCUS. Their music has some sumptuous melodies with powerful choruses and some great vocals. The band has released many singles and 2 EPS to know the reaction of critics and fans before releasing their debut album.

Studio Album, released in 2018

Songs / Tracks Listing

1. Afterlight (2:58)
2. The Crossing (5:17)
3. Lumen (5:55)
4. Evade (6:22)
5. Hex (5:24)
6. The Static Between Us (5:40)
7. Signals (1:49)
8. Faster Than Light (4:47)
9. Frequency (3:30)
10. Paradox (6:02)
11. Reflections (6:13)

Total Time 53:57Line-up / Musicians

– Phil Owen / vocals
– Ash Cook / guitar
– Tom Moore / guitar
– George Demner / bass
– Rich New / drums

With:
– Sithu Aye / guitar (8)
– Drewsif / performer (9)
– Reece Fullwood / guitar (11)

CD Long Branch Records ‎- 285972 (2018, UK)

One thought on “Valis Ablaze: Boundless-2018.

  1. Boundless
    Valis Ablaze Progressive Metal
    Review by Mebert78

    5 stars Every so often a band releases an album that makes me temporarily forget about all other bands and albums. Sometimes that infatuation can last a few weeks, and sometimes it goes on for months. That band for me right now is British progressive metallers Valis Ablaze and the album is their debut Boundless, which came out this spring through Long Branch Records. It’s still early, but this disc might break my obsession record.
    For those who aren’t familiar with Valis Ablaze, the band was founded in 2013 and has been a support act for other prog groups like Tesseract, The Contortionist and Dead Letter Circus. For starters, I should note that I’d never even heard of Valis Ablaze until a month or two ago when I read their album review in Prog magazine, which was positive but not overly glowing. The subheadline read: “Bristol prog metallers impress despite failing to break new ground.” Still, the piece made me curious enough to punch up the album online and give it a listen. Needless to say, I immediately ordered it and haven’t looked back. It actually has yet to leave my car stereo, and I even find myself frequently streaming the songs while at work. Basically, Boundless has been the only thing I’ve listened to for the past three weeks now, which is a sure sign that these tracks are something special. In fact, it’s hard to think of a progressive metal act that has given us a better debut album in recent years — or, dare I say, a better album period. Yes, those are big words. But believe me, Boundless deserves them.

    From a sonic perspective, Boundless reminds me of Valis Ablaze’s fellow countrymen and progressive metal peers Tesseract, which isn’t surprising since Valis Ablaze has previously opened for Tesseract. Like djent-heavy Tesseract, Valis Ablaze seems to share a penchant for thunderous grooves and clean vocals with instrumentation so intricate and tight it left me mesmerized. For example, “The Crossing” and “Evade” — the latter of which is Boundless’ longest song at 6:23 — both begin with Tesseract-esque echoed guitar picking that evolves into explosive percussion and addictive riffing. Other killer tracks included the two singles, “Frequency” and “Paradox,” which had me headbanging like my neck were on a big hinge, while deeper cuts like “Hex” and “Faster Than Light” prove this record has no weak spots. “It won’t be long until you see what is right in front of you,” Phil Owen intensely belts out.
    But Boundless isn’t just “balls and chunk,” as legendary drummer Mike Portnoy would say. It also contains its share of softer moments, atmospheric sections and emotional melodies. The hypnotic opening song “Afterlight” features a delicate intro that quickly builds up into a full-band assault, while “Lumen” includes a piano sound that gave me a Dream Theater feel. For my fellow keyboard enthusiasts, there’s some discreet key work for ambiance purposes peppered all throughout Boundless — including on the thought-provoking closer “Reflections,” which is probably my favorite tune so far of 2018. And although the 11-track album doesn’t contain any totally acoustic tunes, it does succeed in offering a nice balance of dynamics.

    I also love Boundless’ lyrics, which seem to outline a process of self-exploration in an effort to effect change in one’s life. “Your time has come,” Phil Owen sings in the opening verse. Later, during the final lines, Owen sings: “Soon I realized that my guide all along was inside; it was I…” I felt myself exploring the darkest caverns of my soul as I meticulously followed Owen’s words. To be honest, I might even put his introspective lyrics in the same class as Fates Warning’s A Pleasant Shade of Gray and Riverside’s Second Life Syndrome albums.

    Ironically, the last progressive metal record from a mostly unknown band to amaze me as much as Valis Ablaze’s Boundless was probably Tesseract’s Altered State album in 2013. My only hope is that Valis Ablaze can maintain their magic, which is something Tesseract has failed to do in my eyes. Fingers crossed, because this band is destined for greatness.

    Your time has come, Valis Ablaze.

    – Michael R. Ebert (progzombie.blogspot.com)

    Like

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