Bandas preferidas : Avenged Sevenfold, Callejon, Trivium, Bullet From My Valentine, Wintersun, Coroner, Disturbed, Morbid Angel, Sepultura, Children Of Bodom, Chimaira, Lost Horizon, Mercyful Fate, Judas Priest, Hellöise, Heaven’s Gate, Chroming Rose, White Lion, Nocturnal Bloodlust, Loudness, Soilwork, Slayer, Exodus, Nuclear Assault, Heathen, Solitude Aeturnus, Vow Wow, King Diamond, Gamma Ray, Caliban, System Of A Dawn, Rage Against The Machine, Nocturnal Rites, Scanner, Tankard, Destruction, Metallica, Slipknot, Blaze Out, Bonded By Blood, Gama Bomb, Kaleikr, Demonoid, Sabbat, Bal Sagoth, Fifth Angel, Nevermore, Sanctuary, Black Sabbath, Motörhead, Sinergy, Alcatrazz, Skid Row, Volbeat, Primal Fear, Iced Earth, Blind Guardian, Racer X, Tesla, Evergrey, Lost Society, Six Feet Under, Obituary, Blessed Death, Atheist, Demolition Hammer, Death, Manowar, Death Angel, Illdisposed, Marshall Law, Pink Floyd, Sinner, Masterplan, Edguy, Avantasia, Jorn Lande, Helloween, Pretty Maids, Brainstorm, Stratovarius, Rising Force, Pestilence, Maintain, Onslaugth, Overkill, Rob Halford, Artillery, Crystal Lake, Avatar, Risk, God Dethroned, Cradle Of Filth, Heaven Shall Burn, Sick Of It All, Nofx, Criminal, Riot, Dream Theater, Yngwie Malmsteen, Tony Macalpine, Paul Gilbert, Steve Vai, Agathodaimon, 3 Inches Of Blood, Poltergeist, Vader, Black Fate, Impelliteri, Axxis, Bloodbath, Deicide, Behemoth, Manticora, Equilibrium, Guillotine, Quiet Room, Wicked Maraya, Crimson Glory, Rush, War Of Ages, Rage, Running Wild, Metal Church, Reverend, Anthrax, Flotsam And Jetsam, Chinchilla, Covenant, Testament, Iron Maiden, Satan, Dokken, Lynch Mob, Exciter, Sadus, Black Dahlia Murder, All That Remains, As I Lie Dying, Channel Zero, The Haunted, Angel Dust, Morgana Lefay, Morbid Jester, Seven Witches, Wrath, Burning Inside, Athena, Wardance, Wild Dogs, Septagon, Them, Q 5, Old Man’s Child, Carnivore, Crystal Eyes, Kreator, Legion Of The Damned, Machine Head, Linkin Park, Hell, Kamelot, Cataract, Led Zeppelin, Hyperion, Hittman, Hypocrisy, Hades, Liege Lord, Mania, Forbidden, Holy Mother, Rawhead Rexx, Throne Of Chaos, Apocalypse, Ancient Rites... Depuis 1983, j'ai participé en tant que fondateur de la station de radio gratuite Radio Cucaracha, située à Oviedo, dans les Asturies, en Espagne, tout en dirigeant et en présentant le programme de Hard Rock Cábala Rock. En 1988 j'ai amené au programme des collègues plus spécialisés dans des styles spécifiques de métal (thrash, death, classique ...) et avec eux nous avons donné vie au nouveau programme que nous avons appelé Hydra 105 sur 105 sur la fréquence modulée de Radio Cucaracha. En 1991, en raison d'un déménagement à Madrid pour des raisons professionnelles, j'ai arrêté de le faire. Jusqu'en 2014 et depuis 1996 j'étais en charge des départements Rock et Metal ainsi que de la vente de disques dans le grand magasin du Corte Inglés de Preciados-Callao à Madrid, l'année de ma retraite. De même, de 1991 à 2000 j'ai collaboré à divers festivals de rock à Madrid et en tant que disc-jockey dans un pub appelé Hebe, dans le quartier Vallecas de Madrid, berceau de grands groupes espagnols tels que Ska-P, Reincidentes, Mama Ladilla et autres. En ce moment, je vis dans ma ville natale de Xixón (Gijón) View all posts by batsibatsival
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slayrrr666, August 11th, 2016
Written based on this version: 2016, Digital,
From their start in 2009, Portugese melodic death metallers Dark Oath have endured a rotating stream of musicians between releases, leaving guitarist Joël Martins as the sole original member. With vocalist Sara Leitão returning from the previous release and now joined by bassist Afonso Aguiar and guitarist Sérgio Pinheiro, the group prepares to unleash their full-length debut April 15, 2016 on WormHoleDeath Records.
The most obvious part about this album is the fact that from the start it really stacks on the epic tag with plenty of moments focused mainly on weaving that within the music as often as possible. Ranging from the utterly epic song-lengths to cinematic-style backing keyboards and even massive, majestic rhythms blaring away with a progressive edge due to needing to fill out those overlong arrangements, this release does sound quite massive and truly epic. It balances all this out with a fiery edge from the engaging and wholly melodic riff-work that employs a driving charge with the drumming that captures a death metal sound but yet flirts quite egregiously with power metal rhythms which keeps this focused on gorgeous melodies and tightly-wound rhythms for that warm melodic charge against the raging full-throttle tempos. With plenty of fun progressively-tinged technically-challenging patterns being played out here with the rhythms it all makes for a grand, stylish attack. The problems with the album surface again right from the very start, where you only have to look at the running time of the tracks for it’s complete total to see that the band clearly has problems with their writing. This is severely in need of trimming down as this is the epic kind of writing that’s exhausting overall rather than immersive as there’s times where the band will run through a dynamic section of the track then switch it up for no real reason other than to drag the running time out and make the tracks appear far longer than they need to be. Chopping off about five-to-ten minutes total here would do wonders for this album as it wouldn’t have to keep returning to arrangements simply because the track isn’t over yet and would still keep the epic part of their sound intact.
While this is a wholly overlong and incredibly bloated release that could easily do with some slight trimming-down, it’s a facet that comes with a debut album and might be a feature that’s fixed in the future so it’s not nearly as detrimental as it could’ve been and results in this being a solid choice for those looking for more melodeath in their lives or appreciate female-fronted extreme metal acts.
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