The Black Dahlia Murder: Verminous-2020.

The Black Dahlia Murder is an American melodic death metal band from Waterford, Michigan, formed in 2001. Their name is derived from the 1947 unsolved murder of Elizabeth Short, often referred to as Black Dahlia. The band currently comprises lead vocalist Trevor Strnad, rhythm guitarist Brian Eschbach, bassist Max Lavelle, drummer Alan Cassidy, and lead guitarist Brandon Ellis. Out of the eight studio albums they have released to date, the last seven have charted on the U.S. Billboard 200, with their fifth album Ritual peaking at No. 31 in 2011, marking them as one of the most popular contemporary American extreme metal bands. Their ninth and latest album Verminous was released on April 17, 2020.

Formation, Unhallowed and Miasma (2001–2006)

The Black Dahlia Murder began its inception during late 2000 and gained the final band lineup in January 2001. The group released their demo entitled What a Horrible Night to Have a Curse, and a four-track EP, A Cold-Blooded Epitaph, the latter of which the group released on Lovelost Records. After appearing in concerts such as the Milwaukee Metal Fest, The Black Dahlia Murder signed to Metal Blade Records in 2003.[1]

Bassist Ryan “Bart” Williams left his former band, Detroit’s Today I Wait, to tour with the Black Dahlia Murder. After touring with the band on their co-headlining gig with Throwdown and their European dates with Liar, he joined the group full-time, replacing former bassist David Lock. Frontman Trevor Strnad said that Lock was fired for incompetency.[2] Williams was one of two engineers (the other being Walls of Jericho‘s Mike Hasty) on the band’s first full-length album, Unhallowed.

The band’s second album Miasma was released on July 12, 2005 and peaked at No. 118 on the Billboard 200.[3] After touring for Miasma, drummer Zach Gibson left the band along with Pierre Langlois. While Gibson went on to join Abigail Williams, Langlois left the band for a more secure lifestyle, and the band finished their search for a replacement drummer when they found former All That Remains drummer, Shannon Lucas. The group played at Ozzfest 2005.

Nocturnal and Deflorate (2006–2010)

Their third album, entitled Nocturnal, was released on September 18, 2007. The album debuted at No. 72 on the Billboard 200.[4] The Black Dahlia Murder announced via their MySpace profile that they were going on a U.S. tour with Cannibal Corpse to promote their new album Nocturnal and celebrate the 25 years that Metal Blade Records had been in business. They were joined by label-mates The Red ChordAeonThe Absence, and Goatwhore. In January/February 2008, the band embarked on a U.S. headlining tour with 3 Inches of BloodHate Eternal, and Decrepit Birth, followed by another alongside Brain Drill and Animosity. They were on Hot Topic’s “Summer Slaughter Tour”[5] with KataklysmCryptopsyVaderWhitechapel, and Despised Icon.

Their longtime lead guitarist, John Kempainen left the band and was replaced by Ryan Knight during the beginning of 2009. In May 2009, The Black Dahlia Murder released their first DVD, “Majesty”. The DVD contains a documentary and live footage from the Summer Slaughter tour and their tour supporting Children of Bodom in late 2008. The DVD also contains all of their music videos and behind the scenes footage.[6]

The Black Dahlia Murder released Deflorate on September 15, 2009 via Metal Blade Records. The album sold 12,000 copies in the United States in the first week of the release, debuted at position No. 43 Billboard’s Top 200 charts, No. 5 on Billboard’s Independent Albums chart, No. 4 on Billboard’s Top Hard Music Albums chart, and No. 50 on HITS Top 50 Albums chart.[7] They toured with Children of Bodom and Skeletonwitch in support of the album. After their 2010 headlining tour with Goatwhore and Arkaik, the band began writing and recording their next full-length album.[8]

Ritual and member changes (2011–2013)

In February 2011, The Black Dahlia Murder completed the songwriting process for their fifth studio album,[9] entitled Ritual.[10] It was released on June 21, 2011 in North America.[10] The band supported Amon Amarth on their May 2011 European tour,[11] as well as headlined the 2011 Summer Slaughter tour, both in support of Ritual.[12] Before the record’s release, the track “Moonlight Equilibrium” was posted to the Metal Blade Records website on April 29, 2011 to critical and fan acclaim.[10] A music video for “Moonlight Equilibrium” was released on February 20, 2012. In April 2012 during the New England Metal and Hardcore Festival on the first night performance, Trevor Strnad officially welcomed new bassist Max Lavelle into the band after former bassist Ryan Williams parted ways. On November 7, Shannon Lucas announced via a YouTube video that he would be stepping down as drummer of The Black Dahlia Murder to pursue other aspirations. Alan Cassidy of Abigail Williams filled in for Shannon’s touring duties.

Everblack and Abysmal (2013–2016)

In early 2013, despite the news of the departure of two band members (drummer Shannon Lucas and bassist Bart Williams), plans were announced for an upcoming album release, to be entitled Everblack. Tentative plans estimated its release to be early summer 2013; likely June. On April 10, 2013, the iTunes Store was updated with official release and availability information, including cover art, a full track listing, and an official U.S. release date of June 11, 2013. The album has 10 tracks in total. On the same day, the band’s first single from Everblack was made available for purchase and download, titled “Into The Everblack”. The album itself was then released on June 11 and peaked at No. 32 on the U.S. Billboard 200.

On November 28, 2014 (the day after Thanksgiving), The Black Dahlia Murder released a 7″ EP titled Grind ‘Em All featuring 3 short grindcore covers of punk rock songs: a cover of “Ripped Up” by Left for Dead, of “Rebel Without a Car” by Sedition and of “Populous” by Gyga.[13] The covers were originally recorded almost 10 years earlier during the era of Miasma.[13][14] The EP was released as part of Record Store Day‘s Black Friday event via A389 Recordings (rather than the band’s label, Metal Blade Records),[15] made available for purchase on the band’s online merchandise store[14] and also streamed in its entirety via Exclaim!.[16] The album art for Grind ‘Em All was designed by Szymon Siech.[13][15]Brandon Ellis in 2016

Lead guitarist Ryan Knight confirmed in early 2015 that the band will deliver a seventh studio release that year, followed by extensive touring, and that he is planning to start working on a solo album afterwards.[17][18][19] Vocalist Trevor Strnad stated that the band’s new album, titled Abysmal, will be “more raw and natural sounding” and feature “more dynamic and developed songs” than their previous work.[20] “Vlad, Son of the Dragon”, the first song from the album, was released online on June 24,[20] followed by “Receipt” on July 22[21] and “Threat Level No. 3” on August 19.[22] Abysmal was produced by Mark Lewis and Ryan Williams and released worldwide through Metal Blade on September 18.[20] In early February 2016, it was announced that Knight had left the band. He was replaced on lead guitar by Brandon Ellis of Arsis.[23]

Nightbringers and Verminous (2017–present)

The band’s 8th album Nightbringers was released on October 6, 2017, to critical and commercial acclaim, charting at 35 on the Billboard 200.

The Black Dahlia Murder released their ninth studio album, Verminous, on April 17, 2020. Shortly after its release, the band (along with Municipal Waste and Meshiaak) will support Testament on their Titans of Creation tour in the North America.[24]


What a Horrible Night to Have a CurseDemo2001
Buy Us a VanDemo2002 
Demo 2002Demo2002 
A Cold-Blooded EpitaphEP2002
A Metal Blade Video SamplerSplit video2004 
Sounds of the Underground Tour 2006: Live & RareSplit2006 
A Selection UnnaturalSingle2009
This Mortal CoilSingle2011 
Into the EverblackSingle2013 
Fool ‘Em All!Video2014 
Grind ‘Em AllEP2014 
Gone but Not ForgottenSingle2017 
Brian Eschbach
Guitars (2001-present)
Trevor Strnad
Vocals (2001-present)
Max Lavelle
Bass (2012-present)
See also: Serpent of Gnosis, ex-Compost Pile, ex-Twisted Sacrifice, ex-Despised Icon, ex-Goratory, ex-Trauma Concept, ex-Burn in Silence, ex-Lecherous
Alan Cassidy
Drums (2012-present)
See also: Slugdge, ex-Unbodied, ex-Abigail Williams, ex-Cryptic Abuse, ex-The Breathing Process, ex-Dead Ashore
Brandon Ellis
Guitars (2016-present)
See also: ex-Arsis, ex-Cannabis Corpse, ex-Structure of Inhumanity, ex-Finntroll (live), ex-Sylosis (live)

Past Members:

Mahlon OrrinBass
See also: ex-Fast Piece of Furniture, ex-The PB Army
Mark RatayBass
Sean GauvreauBass (2001-2002)
Mike SchepmanBass (2001)
See also: Saint Fiacre
Cory GradyDrums (2001-2004)
See also: ex-The Classic Struggle, ex-Premonitions of War
John DeeringGuitars (2001-2002)
David LockBass (2002-2005)
See also: Nightkin, ex-Supercontinent
John KempainenGuitars (2002-2008)
Joe BoccutoBass (2003-?)
See also: ex-Her Virgin Womb, Antikythera, ex-Frost Giant, ex-Funeral Eve, ex-Set Ablaze, ex-With Immortality, ex-Evil Divine (live)
Zach GibsonDrums (2004-2005)
See also: NightkinShit LifeShock Narcotic, ex-Gutrot, ex-Abigail Williams, ex-Krigblåst, ex-To Dust, ex-Mutilated, ex-In Battle Array
Ryan “Bart” WilliamsBass (2006-2012)
See also: Necromancing the Stone, ex-Ninety Minute Reflex, ex-Today I Wait
Pierre LangloisDrums (2006)
See also: Beast WithinGrowlThesyre, ex-Aufkrema, ex-Cerebral C.R.A.S.H., ex-Decayed Remains, ex-Frozen Shadows, ex-Akitsa (live), ex-Slaotvean, ex-Aus der Traum
Shannon LucasDrums (2007-2012)
See also: Asphalt GravesSerpentine Dominion, ex-All That Remains, ex-Battlecross (live), ex-Mensrea, ex-War Torn
Ryan KnightGuitars (2008-2016)
See also: The Knife Trade, Ryan Knight, ex-Arsis
1.Verminous03:49  Show lyrics
2.Godlessly03:27  Show lyrics
3.Removal of the Oaken Stake04:25  Show lyrics
4.Child of Night03:37  Show lyrics
5.Sunless Empire03:57  Show lyrics
6.The Leather Apron’s Scorn03:33  Show lyrics
7.How Very Dead03:07  Show lyrics
8.The Wereworm’s Feast04:35  Show lyrics
9.A Womb in Dark Chrysalis00:48  instrumental
10.Dawn of Rats04:35  Show lyrics

One thought on “The Black Dahlia Murder: Verminous-2020.

  1. MrMetalpants, January 1st, 2021
    Written based on this version: 2020, CD, Metal Blade Records (Digipak)

    I’ve been a fan of TBDM since Nocturnal, which, of course I loved the albums prior as well as the albums after… Until the career slumps until Abysmal and Nightbringers. The latter being my least favorite by a large margin, so naturally I was afraid of Verminous being more of the same monotony. Granted, even the worst TBDM album is still a solid album. Also, I’m sure it’s the talk of the town, but can I say I’m saddened by their broken streak of releasing an album every two years? Hey, if it made the difference another middling record and a return to their superior form, which this album is, then I’m fine the streak is broken.

    The songwriting is the strongest aspect on this album. Like I mentioned, they’ve returned to their more interesting form. I believe a large part of this is this album feels more fun. It’s like they’ve had a run of albums where they took themselves too damn seriously. Here they seem to be having fun again and it shows with the hooky riffs, tongue-in-cheek lyrics, and a little more straying from being just standard death metal. I am fully on board the TBDM train once again!

    2:11 on removal of the “Removal of the Oaken Stake” or 1:47 on “Sunless Empire”, have these playful moments that I just love. Short and sweet but adds some much needed flair and pulls your attention back in. There was little to none of it on their previous two records so they both drowned in a self-serious monotony that I got bored with quick. I really appreciate the lead guitar solos on this album. Some of Ryan Knights first contributions to the solos I found too noodly. Impressive as they were, I got tired of the repetitive scales, especially coming from being introduced to the bands original guitarist (John Kempainen) having such soulful solos. I love the sleazy guitar into on “How Very Dead” and it reminisces TBDMs golden age. This is the album where current guitarist Brandon Ellis I think found his stride. Both guitar sections on the whole thing bring interesting riffs, tasty licks, and an overall great guitar section.

    The drums are more dynamic on this release (even though they’ll never match the one-and-only sound of Shannon Lucas’ run with the band). 00:39 on “Leather Apron’s Scorn” Could have been a fairly easy cookie cutter section, but the drums were interesting and ear-catching. there are plenty of sections that are like this on this song, let alone the whole album. I thought the drums on this bands previous two releases were so incredibly boring and this album rights the ship. Full steam ahead!

    Simple as it is, the bass break-out at 1:51 on “The Leather Apron’s Scorn” is such a treat (Really, that whole song is a treat). Part of that too, though, is the composition right afterwards that gets me so pumped every time. The bass gets a lot of time in the limelight and it usually does something interesting. The opportunity is not squandered here!

    What can I say? Trevor Strand is a beast on the mic. He always brings it and is so fun to listen to. He doesn’t reinvent the wheel here, but that’s fine when you have one of the best wheels. The initial vocals on “Godlessly” has the rarely used mid-range vocals. Also, 3:02 on that song features… Someone else??? This site only credits Trevor with vocals for the album so maybe it’s just an odd effect I’m not used to him using. Either way, if you’re familiar with Trevor’s work you’ll be pleased with this release because it’s unmistakably his style but with more solid vocal patterns than on the previous two releases.

    Fav tracks:
    -The Leather Apron’s Scorn
    -Child of Night
    -Sunless Empire

    Technical skill: 91% Songwriting: 93% Production: 89% Originality: 81%

    Liked by 1 person

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